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Title: Hyperobject (Kadaltilla) Prize Status: Digital Category Prize Winner Category: Digital Dimensions (cm): 87h x 122w Medium: Digital Collage Print- 3D Model Render + Photograph (Framed) Statement: "Positioned amongst a Heysenesque site in the south eastern corner of the Adelaide Park Lands, Hyperobject (Kadaltilla)* is a vividly colourful cluster of sculptural components- a speculative architecture of sorts, captured whilst still in the process of becoming. Forming through its own imaginary logic of material and forces, it softly comes to rest in the landscape– itself a rich ecology of human and non-human, seen and unseen connections.*First coined in 2008 by speculative philosopher Timothy Morton, Hyperobjects are intimately

Title: Storm Approaching Carriageway Park Tuthangga Category: General Dimensions (cm): 65h x 108w Medium: Pen Drawing Statement: "The Southern Park Lands is a living testament to the foresight of William Christie Buik who was the Mayor of Adelaide between 1878-1879. He engaged John Ednie Brown to prepare a report which was the first large-scale landscape design proposal for a public park in South Australia. It became one of the most significant international planning concepts ever applied in practice.Storm Approaching Carriageway Park/Tuthangga does not simply represent a particular time or place but attempts to go beyond just mere representation. Tuthangga is the Kaurna name for this

Title: Prismatic Spring Category: Digital, Emerging Artist Dimensions (cm): 70h x 50w Medium: Digital, A.I. Generated Statement: Where the metaverse meets the natural world. A 21st century vision, a spring riot of digital colour that reminds us of the importance of urban green spaces and shared gathering zones. Cyber Expressionism with a fauvist palette, a symphony of floral hues to delight the senses.

Title: Sunken garden Category: Emerging Artist Dimensions (cm): 84h x 59w Medium: Coloured Pencil And Felt Tip Pen On CA Grain Statement: My drawing 'sunken garden', 2022 is meticulously gridded with small segments coloured in bright pink, blue, red and green. These coloured cells are concentrated in the lower right hand corner of the drawing, and form an abstracted rose design. The title 'sunken garden' refers to the sunken rose garden in the Veale Gardens, on South Terrace. The drawing's heavily gridded composition correlates to my interest in segmented and fragmented experiences of time, with the suggestion of a rose a symbol of generative and